Issues : Annotations in teaching copies

b. 323

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 328

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

..

The first finger indicated for the d bass quaver seems to be highly questionable, since it would be the only known example of such an unnatural fingering having been written down. The use of the 5th finger of the L.H. for the bottommost note was considered obvious and rarely marked. In particular situations, Chopin instructed his pupils to perform even a few subsequent notes with the 5th finger – see the Nocturne in C Minor, Op. 27 No. 1, bars 13-14 or the Sonata in B​​​​​​​ Minor, Op. 35, 3rd mov., bar 31

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 332-335

composition: Op. 11, Concerto in E minor, Mvt III

c​​​​​​​1 tied in FE (→EE)

c​​​​​​​1 repeated in GE

..

The ties of c​​​​​​​1 in bars 332-333 and 334-335 were most probably added by Chopin in the last phase of proofreading of FE (→EE). In bar 335, it is the sustained c​​​​​​​1 that was crossed out in FEH, which is most probably just a

category imprint: Differences between sources; Source & stylistic information

issues: Annotations in teaching copies , Authentic corrections of FE , Annotations in FEH

b. 340-341

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 341

composition: Op. 11, Concerto in E minor, Mvt III

Fingering digit added to FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH