



b. 309-314
|
composition: Op. 11, Concerto in E minor, Mvt III
..
In this place, the absence of slurs must be considered Chopin's oversight. In the main text, we suggest slurs modelled after analogous bars 81-86. Slurs were added also in GE3, which took as an example its own slurring in bars 81-83 (the slur in the next bars was not added). See also bars 312-313. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
|||||||||
b. 312-313
|
composition: Op. 11, Concerto in E minor, Mvt III
..
The missing tie of the b2 crotchet is almost certainly an oversight – the tie is in analogous bars 84-85 and in violins I in FEorch. Chopin's or the engraver's distraction is additionally proven by missing slurs in bars 309-314. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , GE revisions |
|||||||||
b. 312-314
|
composition: Op. 11, Concerto in E minor, Mvt III
..
Prolonging the range of crescendo to category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions |
|||||||||
b. 316
|
composition: Op. 11, Concerto in E minor, Mvt III
..
In this context, the missing dynamic indication in FE (→EE) must be considered an inaccuracy. Therefore, we suggest leggieriss. in the main text, with which Chopin provided that sequence in both of their previous appearances (bars 48 and 88). In the discussed bar, two other indications appearing in analogous places – Solo and category imprint: Differences between sources; Editorial revisions issues: GE revisions |
|||||||||
b. 316
|
composition: Op. 11, Concerto in E minor, Mvt III
..
In the main text, we take into account the addition of the Solo indication, introduced in GE, undoubtedly necessary after the 20-bar Tutti. category imprint: Differences between sources; Editorial revisions issues: GE revisions |