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b. 35-36

composition: Op. 11, Concerto in E minor, Mvt II

No markings in sources

Pedalling suggested by the editors

..

The missing pedalling in these two bars must be considered Chopin's inadvertence (or the engraver's oversight). In the main text, we suggest adding the marks after similar figures, e.g. in bar 37. A similar situation in bars 85-86.

category imprint: Editorial revisions

b. 36

composition: Op. 11, Concerto in E minor, Mvt II

Accent in FE (→EE)

No mark in GE

..

The missing accent in GE is most probably an oversight. One could have doubts whether the accent corresponds to Chopin's notation accurately – according to us, a short , mildly emphasisng the beginning of an ornamental figure, would be more suitable in this case. However, the notation of FE does not provide any grounds for such an interpretation, and thus, it remains anyone's guess.

category imprint: Differences between sources

issues: Errors in GE

b. 36-39

composition: Op. 11, Concerto in E minor, Mvt II

Fingering numeral written into FES

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 37

composition: Op. 11, Concerto in E minor, Mvt II

..

In FE, there are visible traces of a correction performed to the slur that originally did not encompass the last two semiquaver triplets.

category imprint: Source & stylistic information

issues: Authentic corrections of FE

b. 37

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES