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b. 39

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES

No teaching fingering

..

The fingering in the 1st half of the bar in FES was written in ink by Miss Stirling, most probably on the digits written by Chopin. In the 2nd half of the bar, original Chopinesque fingering added in pencil survived.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 40

composition: Op. 11, Concerto in E minor, Mvt II

No sign in sources

[] suggested by the editors

..

In the main text, we suggest adding a  mark after analogous bar 89.

category imprint: Editorial revisions

b. 41

composition: Op. 11, Concerto in E minor, Mvt II

..

In FE (→GE1GE2), there is no  restoring ein the last third on the 3rd crotchet in the bar.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Errors repeated in GE

b. 41

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES

No teaching fingering

..

Barely visible fingering digits written in pencil by Chopin.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 41

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES