Fingering
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b. 20
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composition: Op. 11, Concerto in E minor, Mvt II
category imprint: Differences between sources |
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b. 23
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composition: Op. 11, Concerto in E minor, Mvt II
category imprint: Graphic ambiguousness; Differences between sources |
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b. 24
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composition: Op. 11, Concerto in E minor, Mvt II
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According to us, Fontana's fingering in EE is not based on an authentic fingering in this case – see bars 25-26. category imprint: Differences between sources issues: EE revisions |
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b. 25-26
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composition: Op. 11, Concerto in E minor, Mvt II
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The fingering added by Fontana in EE – here and at the end of the previous bar – does not seem to be authentic. In a similar pianistic context in bar 30, Chopin copied the transfer of the hand without changing the fingering, cf. also the Sonata in B category imprint: Differences between sources issues: EE revisions |
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b. 25
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composition: Op. 11, Concerto in E minor, Mvt II
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The meaning of the vertical line added in FES is not entirely clear; however, it is most likely a fingering digit. category imprint: Differences between sources |
minor, op. 35, the 3rd mov., bar 
