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b. 20
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composition: Op. 11, Concerto in E minor, Mvt II
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A long, locally topmost note is a typical place for a long accent, a mark Chopin would use most often. Therefore, supposing an inaccurate reproduction of the notation by the engraver of FE, in the main text we suggest a long accent. category imprint: Editorial revisions issues: Long accents |
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b. 21
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composition: Op. 11, Concerto in E minor, Mvt II
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The staccato dots over the last two quavers were added in FED; most probably by Chopin. category imprint: Differences between sources |
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b. 23
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composition: Op. 11, Concerto in E minor, Mvt II
category imprint: Graphic ambiguousness; Differences between sources |
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b. 23
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composition: Op. 11, Concerto in E minor, Mvt II
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The traces of changes to print, visible in FE, prove that the grace note was initially printed – most probably by mistake – at the pitch of f category imprint: Source & stylistic information issues: Terzverschreibung error , Authentic corrections of FE |
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b. 23
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composition: Op. 11, Concerto in E minor, Mvt II
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In FE, the part of the L.H. is misaligned with the R.H. in the 2nd half of the bar – the last quaver, f category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Synchronization markings , Annotations in FEH |
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