![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Omission of current key accidentals
b. 36
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In Atut (→FE), there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A , Errors repeated in FE |
|
b. 56-59
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In Atut, Chopin wrote these bars almost as if there were 3 sharps in the key signature (the A major key) – he overlooked the majority of the sharps raising c(1,2) to c category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , FE revisions |
|
b. 79-83
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In bar 79 in Atut, Chopin wrote a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of A , FE revisions , Inaccuracies in A , Errors repeated in FE |
|
b. 125
|
composition: Op. 11, Concerto in E minor, Mvt I
..
At the beginning of the bar, there is no category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , FE revisions |
|
b. 128
|
composition: Op. 11, Concerto in E minor, Mvt I category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Omission of current key accidentals , FE revisions , Inaccuracies in A |