In Atut, Chopin wrote these bars almost as if there were 3 sharps in the key signature (the A major key) – he overlooked the majority of the sharps raising c(1,2) to c
(1,2), both sharps raising g1 to g1 and the 
raising d1 to d1 in bar 57. All overlooked marks were added in FE (→GE,EE).
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Omission of current key accidentals, Errors of A, FE revisions
notation: Pitch