Issues : GE revisions
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b. 96-98
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, the slur in bar 96, ending the line, is led far beyond the bar line; therefore, one can assume that, in spite of its missing ending in the next line, Chopin planned a much longer slur, most probably of a similar range to the one featured four bars before. We adopt such an interpretation in the main text. In FE (→EE,GE1→GE2), the slur was led only to the beginning of bar 97, whereas in GE3, it was shortened even more, so that it encompassed only the semiquavers in bar 96 (cf. the note to bar 93). category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccurate slurs in A , GE revisions |
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b. 99
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composition: Op. 11, Concerto in E minor, Mvt I
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Atut features a category imprint: Differences between sources issues: GE revisions , Cautionary accidentals , FE revisions |
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b. 99-114
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, the majority of the semiquavers in bars 99-102 and 111-114 is written in an abbreviated manner as minims with tremolandos. It applies to the first 8 semiquavers in bars 100, 102, 112 and 114, entire bars 101 and 113 and the last 8 semiquavers in bar 111. In FE (→EE,GE1→GE2), all abbreviations were explained (like in our system). In GE3, the abbreviated notation was re-introduced in the same places as in Atut and additionally on the 2nd and 3rd beats of bar 99. category imprint: Differences between sources issues: GE revisions , Abbreviated notation of A |
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b. 99
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composition: Op. 11, Concerto in E minor, Mvt I
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The beginning of the slur in Atut may raise doubts. In the main text, we adopt the interpretation of FE (→EE,GE1→GE2), emphasising the phrasing and not the piano grip. In GE3, the beginning of the slur was moved over the 1st semiquaver and a wedge was added over the 1st quaver of the bar. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions |
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b. 99
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composition: Op. 11, Concerto in E minor, Mvt I
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In GE3, the first chord was arbitrarily provided with a wedge; moreover, the beginning of the slur was moved – see the adjacent note. category imprint: Differences between sources issues: GE revisions |
(cautionary?) before B. In 
