Issues : Annotations in FED
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b. 378
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composition: Op. 11, Concerto in E minor, Mvt I
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The mistake of FE is proved by the orchestral part, in which there is a B in cellos and double-basses, as well as by the Chopinesque correction in FED. The correct text was introduced in GE probably on the basis of comparison of the piano part with the orchestral parts. EE3 was revised probably on the basis of GE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , GE revisions , Errors repeated in EE |
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b. 403
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we include the characteristic Chopinesque marking, indicating a simultaneous performance of the grace note with the according note in the L.H. See also the Nocturne in D category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Synchronization markings |
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b. 412-413
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composition: Op. 11, Concerto in E minor, Mvt I
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The one written in FED between the staves may refer to f1 in the L.H. or to the g category imprint: Graphic ambiguousness; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
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b. 418-419
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingering entered by Chopin in FED, in spite of the fact that it applies to the first two semiquavers only, determines the position of fingers in the next figures and, consequently, also in the further part of the phrase. Therefore, this entry most probably indicates the same fingering that Fontana gave in EE and that was written in FEH (probably on the basis of a lesson with Chopin). As the fingering of the basic figures of this fragment was defined already in bar 416, in this case in the main text we include only the entry in FED. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FEH |
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b. 426-427
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composition: Op. 11, Concerto in E minor, Mvt I
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Both Fontana's fingering in EE and the entry in FEH (most probably performed by the pupil's hand) differ from the Chopinesque fingering indicated in FED. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
major, op. 27 no. 2, 
1 minim in the R.H. As the digit is placed closer to the L.H., since it touches the head of the 1st semiquaver, we assign it to this note. However, both in 
