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b. 288
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composition: Op. 11, Concerto in E minor, Mvt I
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A comparison with analogous bars 287 and 303-304 points to an inaccurate placement of the category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 288
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we suggest a slur modelled after analogous bar 304. The change was introduced already in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 288
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add a long accent after bar 304 as well as 287 and 303. category imprint: Editorial revisions |
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b. 289
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composition: Op. 11, Concerto in E minor, Mvt I
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The oversight of the slur in GE3 is most probably an accident. It is difficult to accept an intentional deletion of a whole-bar slur (after the next bar, in which the slur was overlooked in GE1) if in analogous bars 305-306 such whole-bar slurs were introduced contrary to the notation of GE1. category imprint: Differences between sources issues: Errors in GE |
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b. 289-290
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composition: Op. 11, Concerto in E minor, Mvt I
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In the initial fragment, Fontana's fingering is unclear. We assume that it is a variant fingering for the 3rd, 4th and 5th semiquavers in bar 289. It is highly unlikely that these indications could be coming from Chopin. category imprint: Differences between sources issues: EE revisions |