Issues : Errors in GE
b. 251
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composition: Op. 11, Concerto in E minor, Mvt I
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There is no indication that the version of GE could be possibly authentic – a comparison with analogous bars 227, 235 and 586 proves that it must be an example of a Terzverschreibung error. category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error |
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b. 254-255
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing slur in GE is most probably an oversight, although the addition of the mark in the last proofreading of FE (→EE) cannot be entirely ruled out. category imprint: Differences between sources issues: Errors in GE |
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b. 275
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composition: Op. 11, Concerto in E minor, Mvt I
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When interpreted literally, the mark in FE falls on a rest. This inaccuracy is most probably a result of a too literal reproduction of the notation of [A], in which Chopin could have not had enough space to write the mark between the bottom stave and the b semiquaver. In the main text, we assume, in accordance with GE and EE, that the mark concerns the beginning of the 2nd beat of the bar. The absence of in GE is most probably an oversight. category imprint: Graphic ambiguousness issues: Inaccuracies in FE , Errors in GE |
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b. 275
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing dot must be an oversight of GE3 – in the previous GE, the dot is hardly noticeable within the 'P' letter in the mark. category imprint: Differences between sources issues: Errors in GE |
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b. 284-286
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composition: Op. 11, Concerto in E minor, Mvt I
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In GE1 (→GE2), there is only one in bar 285 instead of three subsequent marks. There are no doubts that it is a mistake; however, it remains a mystery how such an accumulation of mistakes occurred (moreover, three out of four in analogous bars 299-302 were overlooked). Perhaps some of them, e.g. those in bars 299-302, were added only just in the last proofreading of FE. GE3 added in all five bars devoid of the marks. category imprint: Differences between sources issues: Errors in GE , GE revisions |