Pitch
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b. 62-71
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composition: Op. 11, Concerto in E minor, Mvt I
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In bars 62-63 and 70-71, the piano reduction written in Atut (→FE→GE,EE) does not include the B crotchet present in FEorch (→GEorch), serving as an upbeat to the bass line of the cellos. category imprint: Source & stylistic information |
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b. 79-83
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composition: Op. 11, Concerto in E minor, Mvt I
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In bar 79 in Atut, Chopin wrote a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of A , FE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 79
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we omit the sharps, unjustified in this context, before the d category imprint: Editorial revisions |
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b. 84
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composition: Op. 11, Concerto in E minor, Mvt I
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The accompaniment in this bar evolved in Atut, which is proved by the previous versions, which were crossed out but are still legible. According to us, one can distinguish three stages in total, the last of which was accepted as the final version. The reconstructions of the previous versions presented below are hypothetical to a certain extent – changes of the figurations' shape are unquestionable, but it remains uncertain how certain notes (harmonic legato) were assigned to the particular versions: category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 86
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composition: Op. 11, Concerto in E minor, Mvt I
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The g category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
only before the top note of the octave at the beginning of the bar, which was corrected already in 
1-d
