mUltimate Chopin

Op. 11, Concerto in E minor, Mvt I

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b. 31-32

composition: Op. 11, Concerto in E minor, Mvt I

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In Atut, the sharps are written only next to the top notes of the octaves, raising d to d. This patent inaccuracy was corrected already in FE (→GE,EE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , FE revisions , Inaccuracies in A

b. 33

composition: Op. 11, Concerto in E minor, Mvt I

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The Chopinesque piano reduction written in Atut (→FE→GE,EE) does not render the orchestral part accurately – in the 1st half of the bar, in FEorch (→GEorch), the bass voice, performed by cellos and double-basses, moves parallelly to the melodic line in violin I: .

category imprint: Corrections & alterations; Source & stylistic information

b. 34

composition: Op. 11, Concerto in E minor, Mvt I

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In FE, one can see that the last quaver in the top voice was originally a c2. The proofreading restored the version of Atut.

category imprint: Source & stylistic information

issues: Terzverschreibung error , Authentic corrections of FE

b. 36-38

composition: Op. 11, Concerto in E minor, Mvt I

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In bars 36 and 38, Atut features only the sharps raising g to g. This patent inaccuracy was corrected in FE only in bar 36. In GE and EE, sharps were added also in bar 38.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in FE

b. 36

composition: Op. 11, Concerto in E minor, Mvt I

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In Atut (→FE), there is no  lowering f2 to f2. This patent inaccuracy was corrected in the remaining editions.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A , Errors repeated in FE