Pitch
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b. 39-40
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composition: Op. 11, Concerto in E minor, Mvt I
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The version of FEpiano (→GE,EE), closer to the orchestral part written in FEorch, was introduced by Chopin in the proofreading of FE in place of the original version of Atut. See also bar 42. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 41-44
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, there are no sharps next to the bottom notes of the octaves on the 2nd beat of bars 41 and 44. These patent inaccuracies were corrected in FE (→GE,EE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Inaccuracies in A |
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b. 42
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composition: Op. 11, Concerto in E minor, Mvt I
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In GE, a category imprint: Differences between sources issues: GE revisions |
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b. 42
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composition: Op. 11, Concerto in E minor, Mvt I
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The g1 (in the 1st quaver) and g2 (in the second one) notes were added in the proofreading of FE (→#GE,EE), most probably by Chopin. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 56-59
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, Chopin wrote these bars almost as if there were 3 sharps in the key signature (the A major key) – he overlooked the majority of the sharps raising c(1,2) to c category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , FE revisions |
was added before the topmost note of the 5th quaver, g2. It is probably a cautionary mark that should have been placed in the previous bar, where it would be justified.
(1,2), both sharps raising g1 to g
raising d1 to d