Pitch
b. 558-560
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→EE1), there are no cautionary naturals before c3 in bar 558 and a2 in bar 560. The accidentals were added in GE and EE2 (before a2) and EE3 (both). In turn, in all sources, there is a cautionary before c2 at the beginning of bar 559, which we omit in the main text. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 560
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 561
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there is no raising c3 to c3. The patent mistake was corrected in GE and EE. In turn, the missing restoring g3, necessary in this context, even as a cautionary accidental, was added only in GE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Omission of current key accidentals , Errors repeated in EE |
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b. 562
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composition: Op. 11, Concerto in E minor, Mvt I
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The majority of the sources include naturals before the b1 and b2 notes. It is difficult to say what made Chopin write them – the only alteration in the vicinity of those notes is b1(2) in the next figure. The superfluous accidentals were removed in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
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b. 563
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→EE1), this bar is written without cautionary accidentals. In GE, naturals were added before b3 and a3 as well as before f3; in turn, in EE2 a before b3 and a before f3, while in EE3 also naturals before a3 and the second d1 in the L.H. In the main text, we include all the aforementioned accidentals and we also add a before the first d1 in the L.H. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |