Pitch
|
b. 482-484
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In FE, there are no accidentals before the 7th semiquaver in the L.H. in bar 482 and the penultimate semiquaver in the R.H. in bars 483 and 484. Therefore, those notes should be interpreted as f and f1, which would interfere with the regularity of the figuration, undoubtedly intended here by Chopin. The first two oversights were corrected in GE and in EE2 (→EE3), probably on the basis thereof. The mistake in bar 484 remained uncorrected in all editions. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Errors repeated in GE , Errors repeated in EE |
|
|
b. 483
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
|
|
b. 484
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In the main text, we add a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
|
|
b. 492
|
composition: Op. 11, Concerto in E minor, Mvt I
..
We add a cautionary category imprint: Differences between sources issues: GE revisions |
|
|
b. 495-497
|
composition: Op. 11, Concerto in E minor, Mvt I
..
There is no accidental in FE before the upper note of the 2nd L.H. octave in bar 495 and 497. The obvious inaccuracy was corrected in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
raising g1 to g
1 (the 9th semiquaver of the bar), overlooked in 
before the next note, i.e. g1.