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b. 426

composition: Op. 11, Concerto in E minor, Mvt I

..

In FE, there is no ​​​​​​​ before the antepenultimate semiquaver. The inaccuracy was corrected in GE and EE

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions

b. 427

composition: Op. 11, Concerto in E minor, Mvt I

d2 in FE (→GE) & EE2 (→EE3)

f2 in EE1

..

The version of EE1 seems to be a Terzver­schreibung error, revised by removing the , unnecessary next to f2. However, a transfer of the note could have also been intentional, under the influence of bar 431. Anyways, it was already in EE2 (→EE3) that the authentic dwas restored.

category imprint: Differences between sources

issues: EE revisions , Terzverschreibung error

b. 427

composition: Op. 11, Concerto in E minor, Mvt I

..

The 1st note in GE1 (→GE2) is an erroneous b​​​​​​​due to the misplaced octave sign.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 427

composition: Op. 11, Concerto in E minor, Mvt I

..

On the 2nd and 3rd beats of the bar, there are no accidentals in the R.H. in FE; the  raising G to G​​​​​​​ in the L.H. is also missing. In GE1 (→GE2) and EE, a mark was added in the L.H., whereas in the R.H. sharps were added only in the 2nd group of semiquavers, which was most probably considered sufficient due to the notation of that group with the use of an octave sign, hence at the same pitch as the 3rd group. 

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions

b. 428

composition: Op. 11, Concerto in E minor, Mvt I

..

In FE, there are no sharps before the 6th semiquaver in the L.H. (c​​​​​​​2) and the middle semiquavers on the 3rd beat of the bar in the R.H. (c3 and d3). All those patent inaccuracies were corrected in GE, whereas in EE it was only the mark in the L.H. that was added. 

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Errors repeated in EE