Issues : Errors in GE
b. 81-82
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing hairpin is most probably an oversight of the engraver of GE. category imprint: Differences between sources issues: Errors in GE |
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b. 88-89
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: Differences between sources issues: Errors in EE , Errors in GE |
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b. 98
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composition: Op. 11, Concerto in E minor, Mvt I
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The absence of the hairpin is most probably an oversight of the engraver of GE. category imprint: Differences between sources issues: Errors in GE |
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b. 105-117
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composition: Op. 11, Concerto in E minor, Mvt I
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We give the long accents in bars 105, 107 and 117 after Atut. In the editions, they were reproduced as short ones, whereas in GE, the mark in bar 105 was overlooked. category imprint: Differences between sources issues: Long accents , Inaccuracies in FE , Errors in GE |
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b. 111
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, the first third in this bar is provided with two staccato marks – a dot under the notes and a wedge over them. Chopin perhaps put the second mark sometime after the first one, which he did not notice when reviewing the manuscript. However, it is uncertain which of the marks was "first." In the main text, we decided to put the wedge, more frequently used by Chopin in that period of his life in similar situations. In FE (→EE), there is a dot, which was probably overlooked in GE. category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Wedges |