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b. 98
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composition: Op. 11, Concerto in E minor, Mvt I
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The absence of the category imprint: Differences between sources issues: Errors in GE |
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b. 99
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composition: Op. 11, Concerto in E minor, Mvt I
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Atut features a category imprint: Differences between sources issues: GE revisions , Cautionary accidentals , FE revisions |
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b. 99-114
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, the majority of the semiquavers in bars 99-102 and 111-114 is written in an abbreviated manner as minims with tremolandos. It applies to the first 8 semiquavers in bars 100, 102, 112 and 114, entire bars 101 and 113 and the last 8 semiquavers in bar 111. In FE (→EE,GE1→GE2), all abbreviations were explained (like in our system). In GE3, the abbreviated notation was re-introduced in the same places as in Atut and additionally on the 2nd and 3rd beats of bar 99. category imprint: Differences between sources issues: GE revisions , Abbreviated notation of A |
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b. 99
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composition: Op. 11, Concerto in E minor, Mvt I
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The beginning of the slur in Atut may raise doubts. In the main text, we adopt the interpretation of FE (→EE,GE1→GE2), emphasising the phrasing and not the piano grip. In GE3, the beginning of the slur was moved over the 1st semiquaver and a wedge was added over the 1st quaver of the bar. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions |
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b. 99
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composition: Op. 11, Concerto in E minor, Mvt I
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In GE3, the first chord was arbitrarily provided with a wedge; moreover, the beginning of the slur was moved – see the adjacent note. category imprint: Differences between sources issues: GE revisions |
in 
(cautionary?) before B. In 
