b. 650
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composition: Op. 11, Concerto in E minor, Mvt I
..
As a result of comparison of the indications of FE in bar 646 and 648-650, we interpret the mark in this bar as a long accent, referring to both hands. The mark was placed lower also in GE and EE. The overspread mark in GE3 results from the actions of the reviser who considered it to be diminuendo only, since he did not figure that it could be an accent; it is possible that he wanted to align that diminuendo with the descending part of the passage. category imprint: Differences between sources; Editorial revisions issues: Long accents , Placement of markings , GE revisions |
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b. 651
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composition: Op. 11, Concerto in E minor, Mvt I
..
In the main text, we add a cautionary before e4. category imprint: Editorial revisions |
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b. 651
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In FE (→EE1), there are no cautionary naturals before g1 and g3; however, they were added in GE and, probably on the basis thereof, in EE2 (→EE3). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 652-653
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composition: Op. 11, Concerto in E minor, Mvt I
..
In the main text, we omit the unnecessarily repeated sharps before c2 and a1 in the 2nd group of semiquavers. The former was removed already in GE1 (→GE2), the latter – in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
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b. 653
|
composition: Op. 11, Concerto in E minor, Mvt I
..
FE overlooked the lowering e2 to e2. The accidental was added in the remaining editions. All editions except GE3 include an unnecessarily repeated (cautionary?) before the last semiquaver. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Cautionary accidentals |