



Rhythm
b. 477-478
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composition: Op. 11, Concerto in E minor, Mvt I
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Simplified notation of FE (→EE), i.e. missing extension of the B semiquaver held with a tie in bar 477, and missing slurs in GE suggest that both extensions could have been added in the last phase of proofreading of FE. Chopin used such a simplified notation on a few occasions, e.g. in the Allegro de Concert, op. 46, bars 162-163. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 499
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors |
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b. 525
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing crotchet stem extending the a quaver is most probably an oversight of the engraver of GE. category imprint: Differences between sources issues: Errors in GE |
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b. 530
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composition: Op. 11, Concerto in E minor, Mvt I
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The absence of the tie of c4 must be a mistake (probably of the engraver of FE, although Chopin's oversight also cannot be excluded), which is proved by:
category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , GE revisions , Annotations in FEH |
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b. 530-531
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing tie of g3 is probably an oversight of the engraver of GE1 (→GE2). The tie was added in GE3. category imprint: Differences between sources issues: Errors in GE , GE revisions |