b. 28-29
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composition: Op. 11, Concerto in E minor, Mvt I
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Bar 28 ends a page in Atut, which contributed to ambiguities in the slurring in the L.H. – the slur at the end of bar 28 clearly suggests continuation; however, it was not concluded in bar 29. Taking into account the fact that the 1st note in bar 29 is provided with a staccato mark, in the main text we draw the slur to that note. category imprint: Graphic ambiguousness; Differences between sources |
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b. 29
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composition: Op. 11, Concerto in E minor, Mvt I
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The change of the staccato mark from a wedge to a dot is a frequent revision (inaccuracy?) of GE in this Concerto and other works published by Kistner – cf. e.g. bar 92. category imprint: Differences between sources issues: GE revisions , Wedges |
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b. 31-32
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: Errors in FE |
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b. 31
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, the R.H. part is written in this bar twice, most probably due to the non-inclusion of the bottom voice on the 3rd beat of the bar for the 1st time. In the corrected version, Chopin, however, overlooked the mark, which was not included in the same FE (→GE,EE). According to us, it is highly unlikely that it was an omission – the composer forgot about the mark, since he was focused on those elements that required improvements, e.g. beams of the quavers in the melodic line. category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Errors resulting from corrections |
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b. 31-32
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, the sharps are written only next to the top notes of the octaves, raising d to d. This patent inaccuracy was corrected already in FE (→GE,EE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Inaccuracies in A |