![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Annotations in FED
b. 2
|
composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |
|||||||
b. 8-9
|
composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |
|||||||
b. 8
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
In FED, Chopin marked the altered phrasing of a group of semiquavers in a manner that is typical of him. One often comes across vertical lines signifying change of phrasing in teaching copies, e.g. in Impromptu in G flat major Op. 51, bars 32, 37, 89 & 91. category imprint: Differences between sources |
|||||||
b. 9
|
composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |
|||||||
b. 12
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
 
category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Synchronization markings |