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Issues : Annotations in FEJ
b. 13
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composition: Op. 27 No 2, Nocturne in D♭ major
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The slur added in FEJ is, in the editors' opinion, not only a teaching remark but an improvement of imperfect notation. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Authentic post-publication changes and variants , Annotations in FEJ |
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b. 13
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composition: Op. 27 No 2, Nocturne in D♭ major
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W FE, the last semiquaver of the left hand is erroneously written under the last demisemiquaver of the right hand. The line added in FEJ indicates the correct synchronisation of both hands. category imprint: Source & stylistic information issues: Annotations in teaching copies , Synchronization markings , Annotations in FEJ |
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b. 25
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composition: Op. 27 No 2, Nocturne in D♭ major
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The return of the first theme of the Nocturne in bar 26 was initially – in A (→GE→FE→EE) – preceded with a category imprint: Differences between sources; Corrections & alterations issues: Annotations in FES , Annotations in FEFr , Authentic post-publication changes and variants , Annotations in FEJ |
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b. 38
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composition: Op. 27 No 2, Nocturne in D♭ major
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In GE1 (→FE→EE) the dot extending b category imprint: Differences between sources issues: Annotations in teaching copies , Inaccuracies in GE , GE revisions , Annotations in FEJ , Annotations in GET |
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b. 45-46
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composition: Op. 27 No 2, Nocturne in D♭ major
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In particular sources, dynamic markings in those bars differ significantly. The version of A reproduced – despite various inaccuracies - in GE (→FE→EE) was later fundamentally changed, which can be seen in energetic deletions and additions in teaching copies and FEFr. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Inaccuracies in GE , Annotations in FES , Annotations in FEFr , Authentic post-publication changes and variants , Annotations in FEJ |