Fingering
b. 54
|
composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |
||||||||||||
b. 55
|
composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |
||||||||||||
b. 60
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
The numerals entered into the three teaching copies surely describe one fingering (Chopin's), so we give all of them combined in the main text. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FES , Annotations in GET |
||||||||||||
b. 66
|
composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |
||||||||||||
b. 70-71
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
In the main text we give the fingering collected from complementary entries in GET, FED and FES (the entry in FES relates to an analogous fragment in bar 73 – cf. General Editorial Principles, p. 17). The numeral 5 entered in GET over the second semiquaver of bar 71 definitely means the change of fingers on the a flat2 crotchet, and therefore we add a tiny slur next to it. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Annotations in teaching copies , Annotations in FED , Annotations in FES , Annotations in GET |