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Fingering

b. 45-46

composition: Op. 27 No 2, Nocturne in D♭ major

Fingering written into FES

 

No teaching fingering provided

..

The fingerings are written in ink in Jane Stirling's hand.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 49

composition: Op. 27 No 2, Nocturne in D♭ major

The fingering of FES

No teaching fingering provided

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 52

composition: Op. 27 No 2, Nocturne in D♭ major

Fingering entered into FED

No teaching fingering provided

..

The numbers entered into FES probably mean the same fingering as that written out in by Chopin in FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Annotations in FES

b. 52

composition: Op. 27 No 2, Nocturne in D♭ major

Fingering written into FES

A less probable interpretation of the fingering in FED

2 interpretations of the fingering in FED

A more probable interpretation of FED

No suggested fingering

..

We take into account the unquestionable and natural fingering written into FES. The fingering in FED is difficult to read: it was probably written two times and it is not clear whether the same digits were written twice (121), or whether they were different digits (121 and 14). Therefore we give both options as variants. 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Annotations in FES

b. 53

composition: Op. 27 No 2, Nocturne in D♭ major

Fingering in  FED

No teaching fingering provided

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED