Issues : Inaccuracies in FE
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b. 40
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composition: Op. 27 No 2, Nocturne in D♭ major
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A dot over the last quaver, entered in A (→GE), is barely visible in FE and looks like a trace of removal of a dot once printed there. The sign is absent altogether from EE . It seems improbable that the version with a dot just over the first of the two quavers could correspond to Chopin's intentions – cf. similar motifs in bars 17, 37 and 41. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE |
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b. 44
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composition: Op. 27 No 2, Nocturne in D♭ major
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The staccato wedges, quite clear in A, were interpreted as dots in GE (→FE→EE); what is more, FE (→EE) only has the first dot printed. We give both wedges of A and suggest adding an analogous wedge over the last chord of the bar. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FE |
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b. 44
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composition: Op. 27 No 2, Nocturne in D♭ major
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In FE the crotchet g flat3 together with its grace note are moved to the left, so that the crotchet falls over the 2nd semiquaver of the left hand. category imprint: Source & stylistic information issues: Inaccuracies in FE |
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b. 55
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composition: Op. 27 No 2, Nocturne in D♭ major
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A missing dot over the 1st semiquaver of the 2nd half of the bar is probably due to oversight of the engraver of FE (→EE). category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 57
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composition: Op. 27 No 2, Nocturne in D♭ major
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A long accent from A (→GE) was reproduced in FE (→EE) as a short one. This is certainly the engraver's inaccuracy. category imprint: Differences between sources issues: Long accents , Inaccuracies in FE |
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