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b. 38
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composition: Op. 27 No 2, Nocturne in D♭ major
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The category imprint: Differences between sources issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals |
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b. 38-40
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composition: Op. 27 No 2, Nocturne in D♭ major
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Although the notation of the source is clear, there are as many as five signs in FES that show in a detailed manner the rhythmic relations of both hands. Those signs are probably meant to facilitate the a vista playing through showing the synchronization of the L.H. and the R.H. part. Cf. bar 35-36. category imprint: Differences between sources issues: Synchronization markings , Annotations in FES |
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b. 38
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composition: Op. 27 No 2, Nocturne in D♭ major
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In GE1 (→FE→EE) the dot extending b category imprint: Differences between sources issues: Annotations in teaching copies , Inaccuracies in GE , GE revisions , Annotations in FEJ , Annotations in GET |
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b. 38-39
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composition: Op. 27 No 2, Nocturne in D♭ major
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The slur beginning at the end of bar 38 is inaccurately printed in GE1 (→FE→EE): its beginning can be seen in bar 38 at the end of the system, but its ending in bar 39 is missing. category imprint: Source & stylistic information issues: Inaccuracies in GE |
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b. 38
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composition: Op. 27 No 2, Nocturne in D♭ major
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The fingering written into GET may be used in any of the source versions of that bar; therefore, we also give it in the main text. category imprint: Differences between sources |
raising g flat to g sharp can only be found in 
1 in the lower voice was omitted. Chopin extended the melodic movement of that voice in two different ways in 
