Issues : Authentic post-publication changes and variants
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b. 26
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composition: Op. 27 No 2, Nocturne in D♭ major
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We adopt as binding the dynamic marking written by Chopin into all the three extant teaching copies. A similar dynamic concept for the return of the 1st theme was confirmed by Franchomme in FEFr. category imprint: Differences between sources; Corrections & alterations |
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b. 28
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composition: Op. 27 No 2, Nocturne in D♭ major
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The additions in FED and FEFr may be regarded two versions of the same musical idea - syncopations in FEFr show the rubato performance of the quavers in FED. category imprint: Differences between sources; Corrections & alterations issues: Annotations in FED , Annotations in FEFr , Authentic post-publication changes and variants |
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b. 30
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composition: Op. 27 No 2, Nocturne in D♭ major
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The variant given by Franchomme seems recommendable as a variation of the motif upon its repetition that is very characteristic for Chopin. category imprint: Differences between sources issues: Annotations in FEFr , Authentic post-publication changes and variants |
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b. 39-40
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composition: Op. 27 No 2, Nocturne in D♭ major
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When correcting FE (→EE), Chopin added accents under bass notes in the middle of each of those bars. In EE, a vertical accent was used in bar 40, which is characteristic for that edition. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE , Authentic post-publication changes and variants |
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b. 45-46
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composition: Op. 27 No 2, Nocturne in D♭ major
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In particular sources, dynamic markings in those bars differ significantly. The version of A reproduced – despite various inaccuracies - in GE (→FE→EE) was later fundamentally changed, which can be seen in energetic deletions and additions in teaching copies and FEFr. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Inaccuracies in GE , Annotations in FES , Annotations in FEFr , Authentic post-publication changes and variants , Annotations in FEJ |
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