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b. 27-30
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composition: Op. 27 No 2, Nocturne in D♭ major
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Some of the recurring figures of the accompaniment were written by Chopin in A in an abbreviated form as //. Cf. bar 2-6. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 28
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composition: Op. 27 No 2, Nocturne in D♭ major
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The additions in FED and FEFr may be regarded two versions of the same musical idea - syncopations in FEFr show the rubato performance of the quavers in FED. category imprint: Differences between sources; Corrections & alterations issues: Annotations in FED , Annotations in FEFr , Authentic post-publication changes and variants |
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b. 28
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composition: Op. 27 No 2, Nocturne in D♭ major
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In GE1 (→FE) the slur beginning in bar 27 has no continuation in bar 28 that opens a new line of text. That obvious mistake was corrected in EE and GE2. category imprint: Graphic ambiguousness issues: EE revisions , Inaccuracies in GE |
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b. 29
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composition: Op. 27 No 2, Nocturne in D♭ major
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The accent of A, clearly a long one, was reproduced as a short accent in the editions. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 30
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composition: Op. 27 No 2, Nocturne in D♭ major
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The variant given by Franchomme seems recommendable as a variation of the motif upon its repetition that is very characteristic for Chopin. category imprint: Differences between sources issues: Annotations in FEFr , Authentic post-publication changes and variants |
