Issues : Inaccuracies in GE
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b. 54
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composition: Op. 27 No 2, Nocturne in D♭ major
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In A, the slur clearly begins over the second quaver of the bar. The earlier beginning of that slur in GE (→FE→EE) is probably a result of a routine reading of the extent of that sign by the engraver of GE1. However, the fact that no corrections were made in FE or the teaching copies may point to Chopin's acceptance of the longer slur. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 54
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composition: Op. 27 No 2, Nocturne in D♭ major
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The hairpins in A may be considered slightly too short (which is difficult to notice in practice with the narrowed notation of A). Still. Chopin could not have intended a half-bar mark visible in GE (→FE→EE). category imprint: Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins , Unclear hairpins in A |
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b. 54
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composition: Op. 27 No 2, Nocturne in D♭ major
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The sign that was clearly a wedge in A was replaced with a dot. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 56
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composition: Op. 27 No 2, Nocturne in D♭ major
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It is not certain which staccato sign Chopin actually had in mind in A. The comparison with analogous situations makes us consider a wedge to be more likely than a dot. Still, the editions have the dot. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE |
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b. 57
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composition: Op. 27 No 2, Nocturne in D♭ major category imprint: Differences between sources issues: Inaccuracies in GE , Vertical accents |
