Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 27 No 2, Nocturne in D♭ major
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A more probable interpretation of the slur of A |
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In A, the beginning of the slur falls over the first small quaver, but with its detachment it suggests a broader sweep of the pen and, consequently, a wider reach. The slur end quite clearly passes the group of grace notes and points to the first regular-size semiquaver, c2. Such an interpretation finds confirmation in the slurring of the analogous figure in bar 32.
category imprint: Graphic ambiguousness; Differences between sources
issues: Inaccurate slurs in A
notation: Slurs
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