b. 70
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composition: Op. 27 No 2, Nocturne in D♭ major
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The slur in A clearly refers to the semiquaver motif; nonetheless, it begins from the crotchet a flat2 at the beginning of the bar in GE (→FE→EE). category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 70-72
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composition: Op. 27 No 2, Nocturne in D♭ major
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In FE (→EE), a cautionary was added before g flat2 in both bars. In the main text we preserve the more rational notation of A (→GE). category imprint: Differences between sources issues: Cautionary accidentals |
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b. 70
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composition: Op. 27 No 2, Nocturne in D♭ major
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The hairpins in A only relate to the ascending part of the semiquaver motif. The hairpins in GE, extended to the very end of the bar, give a definitely different suggestion for phrasing. The mark was omitted from FE (→EE), most probably by mistake. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in GE |
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b. 70
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composition: Op. 27 No 2, Nocturne in D♭ major
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FE bears traces of moving the minim head from b flat1 to d flat2. category imprint: Source & stylistic information issues: Terzverschreibung error |
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b. 70-71
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composition: Op. 27 No 2, Nocturne in D♭ major
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In the main text we give the fingering collected from complementary entries in GET, FED and FES (the entry in FES relates to an analogous fragment in bar 73 – cf. General Editorial Principles, p. 17). The numeral 5 entered in GET over the second semiquaver of bar 71 definitely means the change of fingers on the a flat2 crotchet, and therefore we add a tiny slur next to it. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Annotations in teaching copies , Annotations in FED , Annotations in FES , Annotations in GET |