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b. 45
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composition: Op. 27 No 2, Nocturne in D♭ major
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We add a cautionary category imprint: Editorial revisions |
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b. 45-48
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composition: Op. 27 No 2, Nocturne in D♭ major
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In A (→GE) pedalling stops in bar 45 (Chopin began to write it in again halfway through bar 57). In the proofing of FE (→EE) Chopin supplemented the markings in bars 45-52. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 46-47
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composition: Op. 27 No 2, Nocturne in D♭ major
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The slur is drawn inaccurately in A and poses interpretation difficulties, particularly its right end. For reasons discussed in notes to bars 2-3 and 26-27 we consider it more probable that it was supposed to reach a flat1 . In the editions, that slur embraces only bar 46. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
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b. 47-48
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composition: Op. 27 No 2, Nocturne in D♭ major
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Some of the recurring figures of the accompaniment were notated by Chopin in A with the abbreviation '//'. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 47-48
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composition: Op. 27 No 2, Nocturne in D♭ major
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The moment of beginning the slur in A is unclear; from the graphic point of view both options seem likely, yet the comparison with analogous bars 3 and 27 makes us decide in favour of a longer slur, in line with the interpretation contained in the editions. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
before e flat.
