Issues : Long accents

b. 167

composition: Op. 16, Rondo in E♭ major

Long accent in FE (→GE)

Short accent in EE

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In EE, the long accent was reproduced as a short one.

category imprint: Differences between sources

issues: Long accents , EE revisions

b. 190

composition: Op. 16, Rondo in E♭ major

Short accent in FE (→GE,EE)

Long accent suggested by the editors

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According to us, the short accent in FE (→GE,EE) is an inaccuracy of the engraver (cf. bar 188).

category imprint: Editorial revisions

issues: Long accents , Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies

b. 200

composition: Op. 16, Rondo in E♭ major

Long accent in FE (→GE)

Short accent in EE3

No mark in EE1 (→EE2)

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The missing accent was certainly overlooked by the engraver of EE1 (→EE2). An accent – a short one – was added in EE3.

category imprint: Differences between sources

issues: Long accents , EE revisions , Errors in EE

b. 236

composition: Op. 16, Rondo in E♭ major

Long accent in FE, contextual interpretation

Hairpin in GE

Short accent in EE

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The mark placed in FE could be interpreted as a ​​​​​​​ hairpin, as in GE where it was even extended. However, in this context, it is most probably a long accent. The reviser of EE also recognized an accent in it, and reproduced it as a standard, short one. Similarly in bar 240.

category imprint: Interpretations within context; Differences between sources

issues: Long accents , EE revisions , Inaccuracies in GE

b. 240

composition: Op. 16, Rondo in E♭ major

Long accent in FE (→GE), contextual interpretation

Short accent in EE

category imprint: Differences between sources; Editorial revisions

issues: Long accents , EE revisions