Issues : EE revisions
b. 21
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composition: Op. 16, Rondo in E♭ major
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The hairpin placed in FE (→GE) is imprecise: it ends at the level of the 3rd quaver in the bar. We suggest prolonging the mark to the end of the phrase. The engraver of EE1 (→EE2) completely overlooked the hairpin. It was only just the reviser of EE3 that added it (over the R.H.). category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , Errors in EE |
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b. 24-25
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composition: Op. 16, Rondo in E♭ major
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EE added dashes between all elements of poco a poco cresc, which cannot be considered unjustified if we take into account considerable gaps between subsequent words. There is a similar situation in bars 28-29. category imprint: Differences between sources issues: EE revisions |
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b. 28-29
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composition: Op. 16, Rondo in E♭ major
category imprint: Differences between sources issues: EE revisions |
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b. 31-32
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composition: Op. 16, Rondo in E♭ major
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The missing two accents on the penultimate semiquaver in the R.H. in bar 31 and the 3rd semiquaver in bar 32 may be an oversight of the engraver of FE or of Chopin himself. We suggest adding those marks like it is in analog. bars 33 and 34. One accent, in bar 31, was added by the reviser of EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE |
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b. 35
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composition: Op. 16, Rondo in E♭ major
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In the sequence led in parallel sixths, the accidentals on the 2nd and 3rd beats of the bar (until the b2-g3 crotchet) are written in the sources as if it constituted a separate bar and as if the L.H. were significantly or totally written on a separate (bottom) stave:
We base the main text on the notation of FE, removing three least justified, according to us, cautionary accidentals – the before g1 in the R.H. and the naturals before b and b1 in the L.H. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |