Slurs
b. 419-420
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composition: Op. 16, Rondo in E♭ major category imprint: Editorial revisions |
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b. 419-420
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composition: Op. 16, Rondo in E♭ major
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In FE (→GE,EE), the slur ends on the last note of bar 419, together with the great stave. We consider it to be a mistake of the engraver caused by transition into a new line (just like in the case of the crescendo dashes), since breaking a slur in such a place is completely musically unjustified (continuation of the phrase), and we suggest one long slur until bar 424. category imprint: Differences between sources; Editorial revisions issues: Errors in FE |
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b. 430
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composition: Op. 16, Rondo in E♭ major
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In all sources, the slurs are to be deemed inaccurate. According to us, it should encompass all small quavers of the passage and the main note to which it leads. It is compliant with the convention of writing down such ornaments. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 443
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composition: Op. 16, Rondo in E♭ major
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The ambiguous curved line of FE (→EE) combines the last note of bar 443 (c2) with the top note of the first chord in bar 444. According to us, the most likely interpretation of that curved line is a tie of the a1 crotchet – Chopinesque ties were often erroneously interpreted by the engravers in a similar manner – and this is the interpretation we adopt to the main text. In GE, the curved line was omitted, perhaps due to interpretation difficulties. category imprint: Differences between sources; Editorial revisions issues: Errors in GE |
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b. 461
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composition: Op. 16, Rondo in E♭ major
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The most probable reason why the slur starts earlier than in previous bars is a misreading of [A]. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |