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Op. 22, Polonaise

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Pedalling

b. 25

composition: Op. 22, Polonaise

 simultaneously with chord in FE (→GE1,EE)

after chord in GE2 (→GE3)
..

In the main text we put the  asterisk under the 2nd beat of the bar, in accordance with FE (→EE). The fact that the mark was placed later in GE2 (→GE3) could have been an attempt to reconcile the markings of FE in this bar with the ones in analogous b. 63.

category imprint: Differences between sources

issues: GE revisions

b. 26

composition: Op. 22, Polonaise

No pedalling in FE (→GE,EE)

Pedalling suggested by the editors
..

It is likely that the pedalling markings were overlooked, which is indicated by the pedalling markings in similar b. 64 and 66 and, above all, in analogous b. 170, which was most probably marked in [A] in an abridged manner as repetition of b. 26. A similar situation can be found in b. 28.

category imprint: Editorial revisions

b. 27

composition: Op. 22, Polonaise

No marking in FE (→GE1)

 on 2nd beat in EE

in GE2 (→GE3)

[] suggested by the editors
..

The missing  asterisk must be considered an inaccuracy, hence in the main text we suggest adding this mark after b. 25. The same applies to analogous b. 171. A mark was added in EE as well as in GE2 (→GE3), although slightly moved.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in FE , GE revisions

b. 28

composition: Op. 22, Polonaise

No pedalling in FE (→GE,EE)

Pedalling suggested by the editors
..

The absence of pedalling in the sources is most probably an oversight – see b. 26.

category imprint: Editorial revisions

b. 30

composition: Op. 22, Polonaise

No pedalling in FE (→GE,EE)

Pedalling suggested by the editors
..

In the main text we suggest adding pedalling markings after analogous b. 68. There is a similar situation in b. 174.

category imprint: Editorial revisions