mUltimate Chopin

Op. 22, Polonaise

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Pedalling

b. 207

composition: Op. 22, Polonaise

 on 4th quaver in FE (→GE1,EE)

between quavers in GE2 (→GE3)

 on 3rd quaver suggested by the editors
..

Just like in b. 63, of which the discussed bar is a literal repetition, the  asterisk was placed a quaver too far in FE, which is probably a mistake. 

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in FE , GE revisions

b. 209

composition: Op. 22, Polonaise

 simultaneously with chord in FE (→GE1,EE)

after chord in GE2 (→GE3)
..

Just like in b. 65, of which the discussed bar is a literal repetition, the shift of the  mark in GE2 (→GE3) is an arbitrary revision. See b. 25.

category imprint: Differences between sources

issues: GE revisions

b. 216

composition: Op. 22, Polonaise

No marking in FE (→GE1)

in EE & GE2 (→GE3)

[] suggested by the editors
..

Just like in b. 72, in the main text we suggest adding a  asterisk in accordance with the harmonic content. The mark was also added in EE and GE2 (→GE3).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 241

composition: Op. 22, Polonaise

..

There is no  before the  mark at the end of the 1st half of the bar in FE. It may be a result of a misunderstanding related to the abridged notation of b. 241-260 in [A]. The mark was added in GE and EE.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Errors in FE , GE revisions