Issues : EE revisions
b. 93
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composition: Op. 22, Polonaise
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According to us, a comparison with the next bar, in which d is tied, makes it highly likely that the tie in the discussed bar was accidentally overlooked. This is how it was evaluated in EE and GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 93
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composition: Op. 22, Polonaise
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The absence of the slur in FE (→GE1) – irrespective of the reason – must be considered a mistake. In the main text we give the same slur as the one featured in FE in the next bar. The slur was also added in EE and GE2 (→GE3); however, none of them took into account the authentic slur from analogous b. 94. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 95
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composition: Op. 22, Polonaise
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In FE the bar opens with a semiquaver in the R.H. and a quaver in the L.H. It is a mistake, yet it is unclear which value is correct:
category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors |
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b. 95
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composition: Op. 22, Polonaise
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The placement of the mark in FE (→GE1) is unclear. In the main text we move the mark to the beginning of the bar, in accordance with the distinct markings in the two previous, analogous bars (this is how it was interpreted in EE). In turn, in GE2 (→GE3) the mark was placed only just at the beginning of the semiquaver passage, which is closer to the notation of FE in terms of the visual aspect and can be considered an acceptable variant. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 97
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composition: Op. 22, Polonaise
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In FE, there is no accidental next to the top note of the penultimate triplet. The patent inaccuracy was corrected in EE and GE2 (→GE3). There is a similar situation in the further part of the passage. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions |