Main text
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
compare
  b. 95

Semiquaver in FE, possible interpretation

Quaver in GE & EE

Quaver suggested by the editors

In FE the bar opens with a semiquaver in the R.H. and a quaver in the L.H. It is a mistake, yet it is unclear which value is correct:

  • a quaver requires the following 3 semiquavers to be considered a triplet. Such a rhythm naturally develops the scheme used in the previous bars – both the starting point of the new motif on the 2nd quaver of the bar and the homogeneous semiquaver triplet movement are preserved. We give this version in the main text (we also mark the triplets), adopted in EE and GE, also due to association with the polonaise rhythm;
  • a semiquaver is less obvious in this context, yet one cannot rule it out – such a rhythmic diversification of a recently heard model absolutely corresponds to the Chopinesque style. Such an understanding of this rhythm is supported by the layout of the notes in FE, which proves that the engraver was convinced that he was dealing with four regular semiquavers.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions, Errors in FE, GE revisions, Rhythmic errors

notation: Rhythm

Go to the music

.