



Rhythm
b. 164
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composition: Op. 22, Polonaise
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The absence of the tie of f in EE must be a mistake, perhaps repeated after a proof copy of FE not including the last corrections. category imprint: Differences between sources issues: Errors in EE , Authentic corrections of FE |
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b. 176
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composition: Op. 22, Polonaise
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The missing tie of b category imprint: Differences between sources issues: Errors in GE |
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b. 201
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composition: Op. 22, Polonaise
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Just like in b. 57, the version of EE is most probably the initial one, changed in FE (→GE) in the last stage of proofreading, yet a revision of EE cannot be entirely ruled out. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE |
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b. 201
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composition: Op. 22, Polonaise
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Like in b. 57, the way the L.H. and the R.H. are aligned almost certainly suggests a mistake, since it results in harmonic discrepancy. Therefore, in the main text we arrange the L.H. part in accordance with the rhythmic values of the first two R.H. notes. In addition, in the main text we suggest adding a L.H. slur after a similar figure from the preceding bar as well as in b. 17-18. The slur was also added in EE, running from the first out of two semiquavers. category imprint: Interpretations within context; Editorial revisions issues: Inaccuracies in FE |
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b. 202
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composition: Op. 22, Polonaise
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In the main text we add an f quaver (tied) on the 3rd beat of the bar, by analogy to b. 20 and 164. category imprint: Editorial revisions |