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Op. 22, Polonaise

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b. 220

composition: Op. 22, Polonaise

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Just like in b. 76, the dyad of the bottom voice (e1-a1) in FE is a crotchet. The patent mistake was corrected both in GE and EE.

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category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors

b. 269-272

composition: Op. 22, Polonaise

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We place this and the next L.H. semiquavers between the last two semiquavers of a respective R.H. triplet, in accordance with the notation of the sources. However, according to us, it is uncertain whether it complies with the notation of [A] and with the performance intended by Chopin – in a figuration in the ending of the Variations in B Major, Op. 12, based on a similar idea and written with semiquavers in 6/8 time, the L.H. semiquavers are performed simultaneously with the last R.H. semiquaver: .

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category imprint: Source & stylistic information