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Issues : EE revisions
b. 152
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composition: Op. 22, Polonaise
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In FE, there are no naturals before the bottom voice d1/2/3 notes. The last one is absolutely necessary; in spite of that, it was not added in any of the subsequent editions, in which the additions were limited to a category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Cautionary accidentals , Errors repeated in GE , Errors repeated in EE |
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b. 153-154
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composition: Op. 22, Polonaise
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Taking into account the authentic slurs encompassing analogous pairs of the L.H. chords between b. 152-153, 154-155 and 155-156, in the main text we suggest a corresponding addition in this place. A similar slur was also added in EE. In turn, GE2 (→GE3) placed the added slur under the chords; to differentiate it from the tie of b category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 153-157
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composition: Op. 22, Polonaise
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FE feature long accents under the last quaver in b. 153, 154 and 156. GE reproduced them as a short category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in GE |
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b. 155
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composition: Op. 22, Polonaise
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The demisemiquaver passage in FE (→GE1) is devoid of the accidentals present before the 1st chord (not counting the octave sign) – the naturals of a1 and a2 and the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies |
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b. 155
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composition: Op. 22, Polonaise
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The missing staccato mark must be an inaccuracy. In the main text we suggest a wedge, like in the analogous bars. Staccato was also marked in EE, yet with a dot, like in the L.H. category imprint: Differences between sources; Editorial revisions issues: EE revisions |