Issues : Errors of A
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b. 165-166
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composition: Op. 21, Concerto in F minor, Mvt III
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Chopin erroneously wrote ritenenuto in A. The mistake was not perpetuated in the editions because already GE used the abbreviation riten. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of A |
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b. 169-170
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composition: Op. 21, Concerto in F minor, Mvt III
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The absence of the slur over (under) the triplet in bar 170 is certainly Chopin's oversight, who overlooked the entire marking of the triplet – digit and slur. In the main text we add both. In GE1 (→FE) the two-note slur of A was replaced with a longer one, embracing the entire motif. It seems to be likely that it is Chopin's proofreading, although one can have doubts whether a possible entry of the composer in the proof copy was reproduced correctly: Chopin could have been thinking of a shorter slur, like in GE2. The version of EE is certainly arbitrary. We give a more detailed analysis of the slurs of both hands in these and analogous bars in bars 171-172. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions , Errors of A , Authentic corrections of GE |
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b. 195
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composition: Op. 21, Concerto in F minor, Mvt III
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In A there is no category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of GE |
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b. 217
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composition: Op. 21, Concerto in F minor, Mvt III
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At the beginning of the bar, we give G in the main text, present as the bass note in the orchestral part, Morch. It would be unthinkable that the F seventh placed in the bass would remain unresolved, moving on to C in the next bar, present in the double bass part. A possible reason for the erroneous presence of the F note in A is imagining only the solo piano part when writing A, in haste. In this case, the actual bass line (including pedalling) forms an A category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Errors of A |
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b. 237-239
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composition: Op. 21, Concerto in F minor, Mvt III
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In A there is no flat lowering G to G category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of GE |
lowering c1 to c
1. This patent oversight was corrected already in 
before c1 was added in the next 
.