Issues : Errors of A

b. 492

composition: Op. 21, Concerto in F minor, Mvt III

g-b in [ReF] & A (contextual interpretation)

in A (literal reading→GEFEEE)

e-b in Morch

..

When interpreted literally, the last crotchet in the L.H. in A includes only three notes, c-g-c1. It is most probably a mistake, resulting from b and cmerging into one note. This assumption is confirmed by such a sound of the chord in [ReF]. This empty sounding version was repeated in all editions. As the version of Morch, we give a chord in a format adopted by Chopin in the previous chords, corresponding with its harmonic content to the full chord in the orchestra. According to us, it is the most naturally sounding version in this context due to the use of a full four-note seventh chord, hence we adopt it to the main text. 

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Errors of A

b. 513

composition: Op. 21, Concerto in F minor, Mvt III

..

There is no bass clef in A (→GEFE) before the last bar. The mistake was corrected only in EE.

category imprint: Differences between sources

issues: EE revisions , Errors of A , Errors repeated in GE , Errors repeated in FE