b. 70
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composition: Op. 21, Concerto in F minor, Mvt III
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We consider the sign written in A to be a long accent, although preceding it with a short sign in bar 69 could suggest a hairpin (however, in this context performance difference would be minimal). The sign was reproduced in all editions as diminuendo; moreover, in EE it was preceded with , most probably repeated after analogous bar 78. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE |
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b. 70
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composition: Op. 21, Concerto in F minor, Mvt III
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It is a very instructive example of how the accumulation of minor inaccuracies of subsequent editions transformed the acciaccatura in A into a regular crotchet in EE (the crotchet in FE is printed in a font of intermediary size, used in the orchestral part). All changes concerning the a1 note are most probably erroneous, whereas placing it over the rest in GE1 seems to have been forced by lack of space. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 71
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composition: Op. 21, Concerto in F minor, Mvt III
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The digits written in FED certainly mark the fingering of the entire trill, hence in the main text we add a little slur above them, generally used in such situations, also by Chopin. It is possible that the sign added under the digits, resembling a tr abbreviation, includes a similar suggestion, yet it is difficult to decipher. category imprint: Differences between sources; Editorial revisions |
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b. 72
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composition: Op. 21, Concerto in F minor, Mvt III
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Both ones are most probably added by Chopin's hand. category imprint: Differences between sources |
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b. 73
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composition: Op. 21, Concerto in F minor, Mvt III
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FE has an erroneous f2 instead of e2 present in A (→GE) as the 3rd note of the passage in the L.H. The patent mistake was rectified in EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE |