Main text
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 70

Slashed grace note in A

Grace note without slash in GE1

Medium-size crotchet in FE

Normal-size crotchet in EE

Grace note without slash in GE2

It is a very instructive example of how the accumulation of minor inaccuracies of subsequent editions transformed the acciaccatura in A into a regular crotchet in EE (the crotchet in FE is printed in a font of intermediary size, used in the orchestral part). All changes concerning the anote are most probably erroneous, whereas placing it over the rest in GE1 seems to have been forced by lack of space.
The fingering written in FED in the next two bars suggests that the fragment was developed in more details during lessons with Chopin. Therefore, one can ponder why the composer did not react to the erroneous notation of FED. According to us, performing the aas a crotchet could have been accepted by Chopin when phrased accordingly. 

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in GE, Inaccuracies in FE, GE revisions

notation: Ornaments

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