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b. 454-462

composition: Op. 21, Concerto in F minor, Mvt III

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There is no  restoring gon the 3rd beat of bars 454 and 462 in A (→GEFE). The patent mistake was corrected only in EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE

b. 454-455

composition: Op. 21, Concerto in F minor, Mvt III

Dot in A

Dots in GE (→FEEE)

Wedges, our alternative suggestion

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The absence of a staccato mark in A in bar 454 must be an inaccuracy, corrected already in GE (→FEEE), where a dot was added. A dot is visible also in bar 453, yet it may also be an inaccuracy, resulting from, e.g. haste – cf. bars 414-415.

category imprint: Differences between sources; Editorial revisions

issues: Authentic corrections of GE , Wedges

b. 454-455

composition: Op. 21, Concerto in F minor, Mvt III

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The third at the beginning of bar 454 and the chord at the beginning of bar 455 are written in A with two voices – both dare provided with separate stems pointing upwards. This detail was not reproduced in any of the editions, we omit it in our transcriptions, too. Chopin generally had a practical, pianistic approach and would separate the voices only when they moved in different rhythm – cf. the notation of all the remaining crotchets ending this kind of triplet sequences (bars 410-411, 413-415 and analog.); therefore, this strict, "score-like" notation applied in this place is rather an exception.

category imprint: Editorial revisions; Source & stylistic information

issues: Inaccuracies in GE

b. 454-463

composition: Op. 21, Concerto in F minor, Mvt III

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In the main text we add cautionary flats before b2 at the beginning of bars 454, 455 and 462. The signs were added also in EE3. In bar 463, being the last similar situation, a respective   was added by Chopin already in A (→GEFEEE).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Cautionary accidentals

b. 455-463

composition: Op. 21, Concerto in F minor, Mvt III

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While proofreading FE (→EE), Chopin changed – just like in analogous bars 415 and 423 – d2 to e2 featured on the penultimate quaver in bars 455 and 463.

category imprint: Differences between sources; Corrections & alterations

issues: Enharmonic corrections , Authentic corrections of FE